电影工业美学视域下的电影“作者性”

Film “Authorship” from the Perspective of Film Industry Aesthetics

中文关键词:  电影工业美学；作者性；新特质

英文关键词:film industry aesthetics； authorship； new characteristics； new requirements； new quality

中文摘要:

      电影工业美学视域下的电影“作者性”是一个多义和递进的命题，不是电影工业美学排斥电影“作者 性”，而是电影“作者性”需要在电影工业美学的烛照下注入新的内涵、打造新的品质。恪守传统意义上的“作 者论”已无法适应新时代中国电影工业发展的要求，但这并不意味着电影“作者性”就此失去了存在的意义和 价值，只是需要破除一些观念的窠臼，灌注一些新的特质，包括“真诚”“超拔”“通变”“聚合”等。工业美学带来 的不只是电影生产方式与组织形式的变化，它还会导致电影本体、电影观念的进化和变革。新元素和新特质 的后来居上，将为“作者性”的生成、迭代及呈现提供广博的天地和更多的可能性。

英文摘要:

      The “authorship” of film from the perspective of film industry aesthetics is actually a multi-semantic and progressive proposition. It is not that film industry aesthetics rejects film “authorship”， but rather that film “authorship” needs to be infused with new connotations and crafted with new qualities under the illumination of film industry aesthetics. Adhering to the traditional sense of “authorship” can no longer meet the requirements of the development of China’s film industry in the new era. However， this does not mean that film “authorship” has lost its meaning and value. It simply needs to break free from some conceptual constraints and infuse new qualities， including “sincerity”，“transcendence”，“adaptability”， and “convergence”. Industrial aesthetics not only brings about changes in the mode of production and organization of films， but also leads to the evolution and transformation of film ontology and film concepts. The emergence of new elements and new characteristics will provide a broad world and more possibilities for the generation， iteration and presentation of “authorship”.