中国电影大片20年：类型拓展、文化融合与工业美学反思

The 20 Years of Chinese Blockbusters: Genre Expansion, Cultural Integration and Reflections on Industrial Aesthetics

中文关键词:  中国电影大片；商业大片；新主流大片；重工业电影；电影工业美学

英文关键词:Chinese blockbusters; commercial blockbusters; new mainstream blockbusters; heavy industrial films; aesthetics of film industry

中文摘要:

      21世纪以来，中国大片在电影产业低潮中崛起，从单一到丰富，已经走过20年的发展历程。从2002年《英雄》肇始的古装武侠大片，到2009年《建国大业》引领的主旋律大片，经2017年《战狼2》等“外向型”新主流大片到“我和我的”系列等“内向型”主流大片，直至以《长津湖》为代表的战争大片的崛起，持续发挥着强大的文化影响力和票房号召力，成为中国电影整体艺术、产业、文化格局中最重要的现象。大片打造了21世纪中国电影的辉煌，打造了中国电影大片的初步类型形态和格局，确立了“电影工业”“电影工业美学”“重工业电影”等观念，熔铸了家国民族和谐的“文化共同体”，其发展有着许多需要总结的经验、启示和遗憾、教训，反思不可避免，“电影工业美学”视域的反思尤有必要。中国电影产业应继续保持大片的“领头羊”优势，同时探索大片类型与电影生态的多元格局态势，探寻电影大片下一个20年高质量、“可持续发展”之道。

英文摘要:

      Since the 21st century, China’s blockbusters have risen from the downturn of the film industry, from single to rich, have gone through 20 years of development. From the costume and martial arts blockbuster “Hero” in 2002, to the melodramatic blockbusters led by “The Founding of a Republic” in 2009; from the “outward-oriented” new mainstream blockbusters such as “Wolf Warriors 2” in 2017, to the “My people, my…” series and other “inward-oriented” mainstream blockbusters, and finally to the rise of war blockbusters represented by “The Battle at Lake Changjin”. These films have continued to exert strong cultural influence and box office appeal, becoming the most important phenomenon in the overall artistic, industrial and cultural pattern of Chinese cinema. The blockbusters have created the splendor of Chinese cinema in the new century, built the initial genre and pattern of Chinese blockbusters, established concepts such as “film industry”, “aesthetics of film industry” and “heavy industrial film”, forged a “cultural community” of family and national harmony. The development of blockbusters has many experiences, inspirations, regrets and lessons that need to be summarized, and reflection is inevitable, especially in the field of “aesthetics of film industry”. We should continue to maintain the “leading” advantage of blockbusters, and meanwhile explore the diversification of blockbuster genres and film ecology. We should also explore the way of high-quality and “sustainable development” of blockbusters in the next twenty years.