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电影“想象力消费”理论的若干基本问题 |
Some Basic Problems of Film “Imagination Consumption” Theory |
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中文关键词: 想象力消费;概念辨析;内涵外延;生存法则;内生变量 |
英文关键词:imaginative consumption; conceptual discernment; connotation and extension; survival law; endogenous variables |
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中文摘要: |
自2015年电影“想象力消费”的理念被提出后,学界的研讨络绎不绝。作为一种紧扣中国电影当下发展实际,包蕴前瞻性、学理性和战略性的重要理论观点,对它进行全面解读和梳理很有必要和意义。鉴于这是一个跨学科的电影新视域和新参数,首先,有必要对与它相关的若干重要概念加以校勘和辨析;其次,需要进一步厘清它的内涵和外延;再次,应通过研究它自身的生存法则和内生变量,使其获得更宽阔的视野、更厚实的地基,增强历时性的电影经验汇聚,获取共时性的叠加影像体验,注入多方面的优势动能,实现理论自身生命的张力。 |
英文摘要: |
There have been continuous academic discussions on the concept of “imaginative consumption” since its debut in 2015. The concept, an important and up-to-date point of view that is closely related to the current development of Chinese films, is forward-looking, theoretical, and strategic. It is also necessary and meaningful to comprehensively interpret and sort it out. Considering that this is a new interdisciplinary horizon and new parameters of film, firstly, it is necessary to collate and analyze some relevant and essential concepts; secondly, it is necessary to further clarify its connotation and extension; thirdly, by studying its own survival laws and endogenous variables, the concept should gain a broader vision and a deeper foundation, strengthen the convergence of diachronic film experiences, obtain a synchronic superimposed image experience, and inject various multifaceted advantages so as to move forward and thrive the theory. |
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