从剧作家到剧本再到观众：李渔戏剧创作的“三过程”理论

Playwright, Script and Audience: Li Yu’s Drama Aesthetics

中文关键词:  李渔；戏剧美学；戏剧三过程；系统化

英文关键词:Li Yu, drama aesthetics, the production of the play, systematization

中文摘要:

      戏剧有三个过程，李渔探讨了剧作家如何作用于戏剧活动的第一过程以及第二过程。在李渔看来，戏剧活动是相互关联的，其第一过程、第二过程不是孤立存在的，它们不仅最终受着第三过程的制约，而且这两个过程之间以及每个过程内部都充满着纷繁的矛盾和相互制约的关系，戏剧艺术的考察要从它们之间的关系出发。李渔戏曲审美理论的基本特点，即在于系统地考察了这三个过程互相依赖、彼此制约的复杂关系。

英文摘要:

      Li Yu, a Chinese playwright in the late-Ming and early-Qing dynasties, explored the relationship of the playwright, the script and audience in the production of the play and held that the playwright and the script were closely related and were finally judged by the audience. The production of the play is a complicated process involving the playwright, the script and the audience that are interrelated and influencing each other. Therefore, the study of dramatic art should be based on the relationship of the playwright, the script and audience. Li Yu’s drama aesthetics systematically investigates the complicated, indispensable and restricting relationship of the three.