影像作为舞台导演叙事性语汇的探索

The Film Image Used by the Theatre Director in the Stage Narrative

中文关键词:  舞台叙事性语汇；影像；拼贴；智能交互

英文关键词:narrative stage vocabulary, image, collage, intelligent simulation

中文摘要:

      自从德国导演大师皮斯卡托1925年第一次把电影影像作为叙事语汇运用于舞台至今，随着影像艺术和技术的发展，舞台导演们不断进行着探索。由于真人表演的真实性跟影像的虚像性存在差异，如何使这两个强烈的艺术形式融合？现代艺术观念明确，“拼贴”应当是舞台运用影像的基本表现方式。影像能大大拓展舞台时空，增强艺术表现力和感染力。近年来，数码技术使智能交互成为可能，仿真全息影像也开始展现魅力。一种新的艺术样式将出现在观众面前。

英文摘要:

      Erwin Piscator, the German theatre director, was the first to use the film image as a key word in his stage narrative in 1925. With the development of video art and technology, the theatre directors keep on exploring the use of the film image. Stage performance is different from film performance, and how to combine these two artistic forms poses a challenge. The modern concept of “collage” can be used as the basic expression of stage utilizing film images. Images can greatly expand the stage space, and enhance the artistic expression and appeal. In recent years, digital technology in intelligent simulation makes it possible to combine stage performance with film images, and then holographic image also shows its charm. A new style of stage art presents to the audience.