“体系即历史”——音乐美学重建之方法论

“System is History”——On Methodology of Rebuilding Music Aesthetics

中文关键词:  音乐美学；体系即历史；达尔豪斯；方法论

英文关键词:musical aesthetics, “system is history”, Dahlaus, methodology

中文摘要:

      在当代西方的哲学美学背景下，期望透过达尔豪斯的视角，探究“体系即历史”式的音乐美学的目的、特点及意义。作者认为，达尔豪斯的音乐美学不是不要体系，而是要重建音乐美学的体系于历史基石之上；目的是要弥合体系与历史之间的鸿沟，以期达到两者的相互渗透、相互包容，互为支撑，相互依赖。

英文摘要:

      The paper explores the objective, significance and features of musical aesthetics of “system is history” from the perspective of Dahlhaus under the background of modern western philosophy aesthetics. The paper holds that the musical aesthetics builds the system of musical aesthetics on the foundation of history rather than discarding the system. The objective is to fill in the gap between the system and history so that they can penetrate, accept, support and depend on each other.